Monday, 31 October 2011
Lending her supermodel prowess to the fashionable warm weather wears, Bar Refaeli showed off her enviable form in a super-sexy photoshoot for the 2012 collection of Agua Bendita Swimwear. The Israeli-born bombshell looked absolutely stunning as she was snapped in a bevy of body-baring pictures, showcasing the range of colorful, ethnic-centered pieces for the brand's forthcoming catalog. [gallery=765]
The What's Your Number? premiere is tonight in Los Angeles! I have my dress and I'm super excited!
I'm gong to be tweeting live from the red carpet at 6:30 PM PST for US Weekly magazine, so make sure to follow them and me on Twitter:
Glitter-heavy pop star tells MTV News she's going for 'balls-out, irreverent rock and roll.'
By James Montgomery, with reporting by Matt Elias
Ke$ha's already got the face paint down pat, and, during recent live sets, she's even taken to guzzling blood out of a human heart, so it should come as no surprise that, on her upcoming album, the pop star is taking things back to the most theatrical era of rock: the prop-heavy, arena-spanning heyday of the 1970s.
Ke$h revealed her plans over the weekend in Los Angeles, on the red carpet of KIIS FM's annual Wango Tango concert, where she told MTV News that the follow-up to her breakout Animal album (and, we suppose, Cannibal too) would be heavy on hard riffs and light on pretty much everything else.
"The next album ... I've been working on writing on the road, but as far as a sound, I just know it's gonna be balls-out, irreverent rock and roll," she said. "I've been pretty much in this '70s rock and roll kick and I just want to capture some of the true essence of what rock and roll is, and that's just irreverence and sexiness and fun and not giving a f---, so we'll definitely put a bit of rock and roll in it."
So, does that mean that fans can expect the likes of Alice Cooper or Peter Frampton to show up on her new album? Perhaps. Because while Ke$ha's new album is still a ways off, she's already begun calling in favors, hoping to line up a killer collabo for the new disc.
"I'm trying, trust me," she laughed. "I really would love to connect with one of my idols, I mean, that's my dream. I'm working on it."
What do you think of Ke$ha going rock for her next album? Tell us in the comments!Related Photos
On Wednesday night (July 6), Anne Hathaway dazzled at 'The White Fairy Tale Love Ball' at Chateau de Wideville in Crespieres, France. Looking princess-like as she stepped out for a good cause. As for the cause, The Naked Heart Foundation has a stated mission "to provide a safe and inspiring environment in which to play for every child living in urban Russia." The praiseworthy effort actually just launched a new program based on the principle that: ?Every Child Deserves to have a Family? - which supports the implementation of new and development of existing family support centers. [gallery=761]
Kelly Clarkson, Mary J. Blige, Maroon 5 also will perform, joining the likes of Katy Perry and Pitbull, at the American Music Awards.
By James Montgomery
Justin Bieber, Christina Aguilera, Kelly Clarkson, Mary J. Blige and Maroon 5 have been added to the ever-expanding list of performers for the 2011 American Music Awards, joining a roster of talent that already includes Katy Perry and Pitbull.
While most of this year's performances are being kept under wraps, a spokesperson for Dick Clark Productions announced Monday (October 24) that Aguilera and Maroon 5 will team up on their current smash "Moves Like Jagger" at this year's AMAs, which will air live on ABC on November 20 at 8 p.m. ET/PT from the Nokia Theatre in Los Angeles.
Earlier this month, in a nomination special hosted by Pitbull and Nicki Minaj, it was revealed that Perry would head into the show as one of the night's most-nominated acts (along with fellow females Adele, Lady Gaga and Taylor Swift), up for Artist of the Year, Pop or Rock Music: Favorite Female Artist and Adult Contemporary Music: Favorite Artist. It's somewhat fitting, given not only the rather huge year she's had, but that she also delivered a full-throttle version of her hit "Firework" at last year's AMAs.
For the fifth year, American Music Award winners will be determined by online voting. Fans can support their favorites in all categories by heading over to AMAVote.com.
The 2011 American Music Awards will air live from the Nokia Theatre in Los Angeles on Sunday, November 20, at 8 p.m. ET/PT on ABC.Related Videos
Mother Monster serenades president for his 65th; Usher and U2's Bono also perform.
By Gil Kaufman
Even with a galaxy of big stars on hand to honor former President Bill Clinton on his 65th birthday, it was, of course, Lady Gaga who made the big headlines Saturday night at the four-hour Clinton charity fundraiser, "A Decade of Difference."
Emerging on the stage from an all-white tree house, Gaga sang a sedate, unplugged version of "Born This Way" on keyboards, while wearing a giant cloth hat and flesh-colored cape over a similarly colored top and leggings. The backing track soon pumped up and a group of dancers came out as Gaga made her way down to the main stage and sang the line, "Don't be a drag, just be a queen," while the former president and his wife, Secretary of State Hillary Clinton, clapped and smiled along.
Wearing a blond wig, Gaga paid homage to Marilyn Monroe by changing some of the lyrics to "Bad Romance" to "Bill romance," prompting the president to later declare, "I thought, 'My God, I get Lady Gaga, and I will have a heart attack celebrating my 65th birthday.' "
"Well, I'm having my first real Marilyn moment," Gaga joked after the opening, running her fingers through her mane. "I always wanted to have one, and I was hoping that it didn't involve an accident with some pills and a strand of pearls, so here we are."
Gaga's set also included a run through "Edge of Glory," during which she said, "I wish you were playing sax with me tonight, baby," an homage to late E Street horn man Clarence Clemons, who played on the song, but a quip that Clinton could have also taken as a nod to himself, as he's also known for blowing a mean sax.
The show took place at the Hollywood Bowl to celebrate the 10th anniversary of the Clinton Foundation and, though his birthday was on August 19, Clinton was still feeling very thankful for all the fuss.
"I am the only person in history who got to be president and then had a post-presidential birthday party attended by both Lady Gaga and the secretary of state," Clinton said to the crowd, which included such stars as Colin Farrell and Chevy Chase. "I want to thank Hillary because we met 40 years ago this year. When I met her, she was already doing the kind of work you see here long before it was cool."
Also on hand to fete the former president was Stevie Wonder, who performed "Superstition," "Sir Duke" and "For Once in My Life," and U2's Bono and the Edge (accompanied by a laptop), who did acoustic versions of "Desire," "I Still Haven't Found What I'm Looking For," "Sunday Bloody Sunday," "One," "Staring at the Sun" and "Miss Sarajevo." The pair also unveiled the first-ever live version of "A Man and a Woman" from 2004's How to Dismantle an Atomic Bomb, dedicating it to Chelsea Clinton and her husband, Marc Mezvinsky.
The U2 singer praised the former president for his work in helping to broker peace in Ireland, saying that "at the top of the list" for playing the gig was the fact that his homeland is "truly at peace, north and south, because of the 42nd President of the United States of America," whom he dubbed the "most beloved president since JFK for us Irish."
Usher made news because he danced so hard that he split his pants during a mini-set that included a cover of the Joe Cocker take on the Beatles' "With a Little Help From My Friends," as well as his own "Yeah!" and "OMG." Also performing were Colombian pop star Juanes, country singer Kenny Chesney, Grace Potter and K'Naan. Among the celebrities on hand to make introductions were Ashton Kutcher, Ellen DeGeneres, Jason Segel and Maria Bello.Related Photos
'Nobody who cared or had your best interest at heart is going to give you this,' Cherilyn Lee recalls telling MJ.
By Gil Kaufman and Kara Warner
The second day of testimony from defense witnesses in the involuntary manslaughter trial of former Michael Jackson doctor Conrad Murray included claims by one of the singer's former nurses that MJ demanded she provide him with the surgical anesthetic propofol.
» Cherilyn Lee, nurse practitioner
» Brandon Phillips, president and CEO of AEG Live
» Michael Henson, toxicologist and technical operations officer for Pacific Toxicology
Key Testimony: » Nurse/ holistic medicine practitioner Cherilyn Lee testified that Jackson became frustrated with her attempts to treat his insomnia with natural remedies such as herbal teas and vitamins, insisting that only a propofol-like drug could work. Initially open to her suggestions, Lee said Jackson became "upset" as time went on and repeatedly asked for her to give him propofol. Her testimony came a day after Jackson's longtime internist, Allan Metzger, testified that during the same period just before his death, Jackson had also asked him for intravenous anesthetic to help his insomnia. Lee had never heard of propofol, but after looking it up, she said she warned Jackson not to use it.
» Lee's testimony was briefly halted after she complained of feeling dizzy and burst into tears in the courtroom hallway; she returned to the stand a short time later. Reading from Lee's record, Deputy District Attorney David Walgren asked if she recalled telling Jackson, "Nobody who cared or had your best interest at heart is going to give you this." She said she did.
» Superior Court Judge Michael Pastor dealt a blow to the defense when he barred testimony about Jackson's contractual obligations to This Is It concert promoter AEG Live. Pastor said the details could potentially distract the jurors, despite arguments from Murray's defense team that the 42-page document would show that the singer was under tremendous financial pressure to pull off the 50-concert comeback series in London. Defense attorney Ed Chernoff said in court that if Jackson had been unable to perform, he would have to repay more than $30 million at a time when he was $400 million in debt.
» Phillips' testimony centered on his experience with Jackson during the meetings and rehearsals for the This Is It series of concerts, at which Jackson insisted he be allowed to bring Murray to care for him personally.
» Phillips recalled Jackson being disconnected and distracted and that the show's choreographer, Kenny Ortega, suggested to him in an email that he consider canceling the shows due to Jackson's seemingly questionable health. Phillips said Jackson addressed those concerns during a meeting between himself, Ortega, Jackson and manager Frank DiLeo, during which Jackson told Ortega the show must go on. "You build the house and I'll put on the door and paint it," Phillips recalled Jackson saying to Ortega.
» Henson took the stand briefly to describe his background in toxicology and his area of expertise in the area of drug testing and providing information to various defense attorneys before the judge called for the day's adjournment. Testimony will resume at 9 a.m. PT on Wednesday.
Murray, who was being paid $150,000 a month to care for Jackson, had pleaded not guilty to the felony charge of involuntary manslaughter and is now facing four years in prison. But new sentencing laws in California aimed at mandatorily reducing state prison overcrowding mean that, as a nonviolent offender with no prior record, he could be sentenced to county jail instead. If that is the case, his sentence could be reduced to two years and, because of overcrowding in the Los Angeles County jail, he may be allowed to serve the majority of his time under supervised house arrest.Related Artists
An a cappella girl group covers Usher's hit for Nationals in next week's episode.
By Aly Semigran
During this week's episode of "Glee", the gang from New Directions took a big risk when they decided they would compete in Nationals by singing their own original songs. Well, the stakes just got a little higher.
MTV News has an exclusive first listen to one of the rival groups who will go up against the McKinley High glee club in New York City during next Tuesday's (May 24) big season two finale. In the upcoming episode, an all-female a cappella group sings Usher's 2004 club and radio smash "Yeah!," which may have the Nationals judges saying just that.
Singers replace synthesizers for the four-note melody that repeats throughout the song, and lead vocalists RaVaughn Brown and Missi Hale match the high energy that Usher, Lil Jon and Ludacris brought to the track.
Granted, a few things have been tweaked in the version for the tween-friendly show, including the length (the original is over four minutes long, while the "Glee" version comes in at three and a half minutes) and the tune's instructions to "Take that and rewind it back ... got the rhythm make ya booty go."
Also, instead of Ludacris' verse, "We want a lady in the street/ And a freak in the bed," one girl sings, "You know you want a kiss on the lips, old red." The line, "Ludacris fill cups like double D's" has also been cut from the song.
But, it's not all PG. At one point in the girls' rendition of the track, they page homage to Lil Jon's crunk hit "Get Low," singing, "From the windows to the walls" and even Mystikal's booty-happy single "Shake Ya Ass," when they urge, "Show me whatcha' workin' with."
At the 2005 Grammy Awards, the power trio of Usher, Lil Jon and Ludacris won the Best Rap/Sung Collaboration for "Yeah!" But, will the song bring the same sort of fortune to this girl group at Nationals? Or will the glory all belong to New Directions this time? Gleeks will still have to wait a few more days to find out.
The "Glee" season finale airs Tuesday at 9 p.m. on Fox, while "Glee": The Music, Volume 6, including the three new original songs "Light Up the World," "Pretending" and "As Long as You're There," will be available on Monday.
What do you think of this a cappella group's version of "Yeah!"? Let us know in the comments section below!Related Artists
Sunday, 30 October 2011
DJ/producer calls their collabo the 'biggest record' on his just-released Nothing but the Beat.
By Akshay Bhansali
It's a rather bold statement, considering his latest album also features Lil Wayne, Chris Brown, will.i.am, Akon, Timbaland, Nicki Minaj and Jennifer Hudson, just to name a few. But Guetta has a soft spot for the cinematic team-up with Ush, which he says is equal parts sentimental and hands-in-the-air euphoric.
"It's just totally emotional," Guetta said. "Some of the record is a proper ballad, and then it goes to that crazy dance beat. It's perfect for him, because he's famous for his ballads. And he's also now famous for those big club records that he comes with. He's an amazing dancer, so I felt like he was the artist that I needed."
Usher and Guetta first previewed the song in Ibiza, Spain, earlier this summer, with the crowd demanding an encore performance of the sure-to-be-hit song.
"It was amazing," Guetta gushed. "We were not supposed to do this. I always do these kinds of stupid things, playing records when I'm not supposed to play them. And Usher was so excited for this time to be in Ibiza performing in front of those people. He called me onstage and said, 'Come on. Let's do it.' So we did it, and, yeah, they loved it. We had to do it again! They asked for one more."
For some, the combination of Usher and Guetta might seem out of left field. While the DJ/producer works with a variety of artists, he has a pretty tight-knit musical family — but it may come as a surprise that Guetta has known Usher the longest.
"I actually speak very often about how thankful I am to will.i.am because he called me to produce 'I Gotta Feeling'; Akon, when we started to work together, because I wasn't famous in America; Kelly Rowland and all those guys that came to me when I was not known yet," Guetta said. "But I have to say that the very first time when someone big from America asked me if I want to work with him, it was Usher. Like, a really long time ago, but we never had the time to do it. So I was so happy to be finally in the studio with him, because he spotted me when I was really not famous yet."
Usher and Guetta already shot the video for "Without You" in Ibiza. The song will follow up Guetta's current single, "Little Bad Girl," which features Ludacris and Taio Cruz.Related Artists
With collabos between Lil Wayne and Joe Jonas, Taylor Swift and T.I., the lines separating music genres are increasingly becoming blurred.
By Jocelyn Vena
In a modern music landscape where genre is pretty much nonexistent, the lines are becoming even further blurred. That's why music lovers barely flinched when news broke that Justin Bieber will work with Kanye West and his "homey" Drake on his next album.
However, more than a decade ago, major mainstream artists like Britney Spears or even *NSYNC (whose very own Justin Timberlake later went on to work with hip-hoppers) would never have thought about hooking up with rappers like Eminem, for instance. In fact, they were the punch line to many of Em's finest rhymes during the "TRL" era.
Today, pop stars and rap stars are unapologetically sharing their love for one another. Lil Wayne, who recently worked with artists including Joe Jonas and Jennifer Lopez, seems to be one of the guys leading the charge. In addition to appearing on tracks with pop stars, Demi Lovato's and Bieber's covers of his track "How to Love" have made headlines. So, what is it about Weezy?
"I just loved the way that Lil Wayne took a risk doing the song 'How to Love,' " Lovato explained. "And when I really listened to it, it's such a great song."
That enthusiasm for his work, according to Vibe Music Editor John Kennedy, has a lot to do with Weezy "the man" as well as Weezy "the artist." "Wayne appeals to the pop world because he's obviously got a tremendous following and is a talented artist, but he's a character outside of the music. His image off-wax is just as prominent as his rhymes on record," he explained. "So when you get Wayne on a record, it's more than just a hot 16, you're getting a rebel to society: the sagging denims, tats all over, diamond grills. It just adds rock star flavor with hip-hop appeal."
"On an artistic level, he just seems like an exciting guy to be around who is also willing to try just about everything, so I imagine pop stars can basically say, 'Hey, can you do this weird thing?' and he'd say yes," Entertainment Weekly staff writer Kyle Anderson added about Wayne's appeal. "From a more business standpoint, working with Wayne not only means chart and radio recognition but also instant cool. He has a cachet that hasn't faded yet."
But Wayne is hardly the only guy in the game defying the laws of hip-hop and pop. Country superstar Taylor Swift has certainly done her part, appearing in concert with guys like T.I. and B.o.B. "I'm a huge hip-hop fan, and it's been so amazing to have so many incredible artists come out and to get to sing the hooks on their songs that I've been blasting in my car for the last couple years," she explained. "It's been awesome. I couldn't have asked for more amazing special guests on this tour, and we're not finished yet."
But it's not just the pop stars singing the praises of rappers and hoping to get some street cred. Rappers are clamoring to hook up with their pop counterparts too, picking up where artists like Mariah Carey/O.D.B. and Christina Aguilera/Redman left off. And recently, Aguilera's former pop rival, Spears, jumped on the trend when she toured with Nicki Minaj.
When MTV News caught up with Minaj backstage on the Femme Fatale Tour, she said that the crossover success has been intriguing and surprising. "I'm always surprised," she said. "I don't really expect them to know all the records, but I guess it just kind of transcends all genres of music at this point."
As the genre-bending continues, it seems that the pairings are likely to get more and more unexpected. "I met Justin [Bieber] back in February. He's a cool kid and sh--," Tyler, the Creator said of his desire to work with the teen star. "When I got in there, he was talkin' about the 'Yonkers' video and sh--. It was weird, because I was sitting here starstruck, like, 'Oh, f---, it's Bieber. He's asking me questions.' I'm like, 'Shut the f--- up so I can talk to you.' "
What do you think of the pop/ hip-hop crossover? Tell us in the comments.Related Photos
I went to the premiere on Tuesday and it was the coolest thing ever. First, the movie is AMAZING and Chris Evans is a superstar. Second, there were so many damn people there it was insane. I have been to movie premieres in New York before and they were nothing like this. I mean, they closed down Hollywood Boulevard. I would've taken photos to show you, but the invite said to leave phones in the car. But here's a photo of me in my cool Captain America 3D glasses:
(Sit down, stop jumping around, it's an awesome picture, I know. And the quality is amazing. It's not grainy or reddish... it's perfect.) (No, it's not.)
(And you can totally see the Captain America logo on the side of the glasses.) (No, you can't.)
Anyway, Captain America is pulling a strong 71% fresh rating on Rotten Tomatoes right now so GO SEE IT! IT'S FANTASTIC!
Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff
"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."
He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.
You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.
Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.
And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.
And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.
To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.
One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.
"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."Related Videos
Remember when I wrote this post about how my nephew Jack can sleep anywhere?
Well, here's the latest:
Queen B is reportedly set to release her latest 4 video this week, just a week after she dropped 'Countdown.'
By Jocelyn Vena
Even though she just released the Adria Petty-directed, retro-fied clip for "Countdown" last Thursday on MTV and her "Party" clip is waiting in the wings, Beyoncé isn't holding back her video for "Love on Top." A teaser for the latest single from 4 dropped over the weekend.
The short clip features Beyoncé in an all-black spandex bodysuit, rocking a bedazzled captain's hat, tights and high-top sneakers. She shimmies in perfect step with her all-male backup singers as she smiles her way through the song. The video has the appearance of a performance rehearsal taking place in a loft space full of windows.
While her baby bump was on full display in her "Countdown" video, she doesn't appear to be rocking one in this video. Essence.com reported that the video is slated to drop this week, though no further details are available.
In the minute-plus video tease for "Love on Top," we see B on the same set with the same group of dancers — a far cry from the multicolored, manically edited "Countdown" clip that premiered on MTV last Thursday. The mom-to-be referenced everything from "Funny Face" to "Flashdance" in the fast-paced video, which matched the song's urgent beat. Co-director Adria Petty told MTV News that she and Beyoncé handpicked the video's many pop-culture references. "I brought Beyoncé a number of references and we picked some out together," Petty revealed. "Most were German modern-dance references, believe it or not. But it really evolved."
Beyoncé famously performed "Love on Top" at the VMAs back in August. As she danced around the stage in her sequined blazer, it was her baby bump reveal at the end of her performance that made headlines, serving as confirmation that she and Jay-Z are expecting their first baby together.
The video tease is a variation on the VMA performance, which featured Beyoncé performing the track with several backup singers. That night, Beyoncé took the stage and, during the opening notes of the song, told the room, "Tonight I want you to stand up on your feet. I want you to feel the love that's growing inside of me."
Ready to spend the rest of their days together, Eva Amurri has tied the knot with Kyle Martino.
The daughter of Susan Sarandon was clad in a Lela Rose designed frock as she exchanged vows with her former MLS soccer player beau on Saturday (October 29) during an intimate ceremony in Charleston, South Carolina.
On-hand to witness the special moment was Eva's actress mom and her current mate, Tim Robbins, with the ceremony being officiated by Sister Helen Prejean.
With fun-filled festivities such as a scavenger hunt and BBQ rehearsal dinner preceding the nuptials, the vows were followed by a black-tie reception including a dinner, champagne toast and plenty of dancing.
My good friend Caprice Crane's new book, With a Little Luck, is out today. Yay, Caprice!
It's gotten great reviews:
"Crane is one of the funniest writers of popular fiction around. The dialog (inner and outer) is laugh-out-loud, snort-inducing hilarious . . . Readers will want to cross their fingers and spit while throwing salt over their shoulders if it helps Berry reach her dreams. Highly recommended."
"Fans of Stacy Ballis and Cara Lockwood will appreciate Crane's effortlessly funny style, which is often attempted in popular fiction but is rarely this well executed...Lighthearted and charmingly honest."
"[A] satisfying romantic comedy...[with] real character growth."
And even better blurbs:
"Romantic, poignant and funny—this book is a lucky find for lit fans. Caprice Crane is a nimble and gifted storyteller."
—Diablo Cody, Academy Award-winning screenwriter of Juno
"A hilarious romp that oozes charm and giddy fun. Caprice Crane is a true talent."
—Molly Jong-Fast, author of The Social Climber's Handbook
"Witty, fast-paced, and sheer fun. Caprice Crane is a master of dialogue. Half the time I was reading this book I was smiling, which made me look like a crazy person on the subway."
—Jancee Dunn, author of Don’t You Forget About Me and Why Is My Mother Getting a Tattoo?
"Absolutely charming and hilarious."
—Missy Peregrym, star of the movie Stick It and ABC's Rookie Blue
"With a Little Luck scores in humor, head, and heart. In other words, it’s a perfect trifecta."
—Karyn Bosnak, author of 20 Times a Lady (soon to be the major motion picture What's Your Number?)
(Omg, who is that last fantastic blurber?) (I meant every word of it.)
And most importantly, she has the cutest dog ever (who likes to video chat with Bev):
Anyway, check it out, buy it—it's fantastic!
Saturday, 29 October 2011
'Beautiful Girls' singer says he didn't know the pretty lady was his big brother's GF on Saturday's episode.
By Sara Waber
Somebody call 911! Sean Kingston pulled a robbery on his big brother, he reveals on this week's "When I Was 17." According to the "Beautiful Girls" singer, though, he had no idea he was making moves on his brother's girl!
"I remember one time I tried to hit on my brother's girlfriend," Kingston says on the episode airing Saturday at 11a.m. ET/PT on MTV. "[I] didn't even know it was his girlfriend.
She must have been hotter than the sun in the south of Spain because Kingston was smitten as soon as he laid eyes on her. "She came over to the apartment and it was like 2 o'clock in the daytime," the pop star recalls. "As soon as I opened the door I was like, 'Man, she's so beautiful.' "
Kingston's brother, unaware of his little bro's charm, suspected nothing at first. "I left the two [of them] in the living room and then I went to go get some food," he says.
Kingston, of course, took advantage of the opportunity.
"And that's when I made my move," Sean explains. "I just tried to hit on her. I was like, 'How you doin' sweetheart?' You know, we were talking about different things. I was telling her what I was doing with the music thing and she was telling me she was trying to get into the modeling thing. So we had a great conversation."
Until they were interrupted: "I remember my brother coming around like, 'Hey, what you doing, man? That's my girlfriend, man.' "
"When I Was 17" — this week featuring Sean Kingston and Mark Hoppus and Tiffani Thiessen — airs on Saturday at 11 a.m. ET/PT on MTV.Related Videos